June 28, 2023
Revisiting Interstellar As Oppenheimer Approaches (Amazon Prime)

For years, I was adamant I did not like Interstellar and that it was Christopher Nolan's most flawed film. I revisited it as I'm very excited for Oppenheimer and wanted to give it another chance - maybe I was the problem. And my experience revisiting...
For years, I was adamant I did not like Interstellar and that it was Christopher Nolan's most flawed film. I revisited it as I'm very excited for Oppenheimer and wanted to give it another chance - maybe I was the problem. And my experience revisiting it a decade plus later was drastically different than my first viewing in theaters. Did you love Interstellar on a first watch or did it need time to grow on you? I'd love to know what you think.
Trying to figure out, "What should I stream tonight?" Come back to Watch This Tonight as your podcast for the best Film and TV recommendations for what to watch on streaming platforms. Please leave us a five-star review on Apple Podcasts if you're enjoying the show, and mention a movie or TV show you want me to cover (and I will). Subscribe for future episodes.
Reach out to us @BenamorDan (Twitter), watch_this_tonight (Instagram) or @watchthistonightpodcast (TikTok).
Watch This Tonight is a movie recommendation podcast and TV recommendation podcast, produced by Voyage Media. You can find other Voyage Media podcasts at voyagemedia.fm
Thanks for listening.
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5626962/advertisement
Trying to figure out, "What should I stream tonight?" Come back to Watch This Tonight as your podcast for the best Film and TV recommendations for what to watch on streaming platforms. Please leave us a five-star review on Apple Podcasts if you're enjoying the show, and mention a movie or TV show you want me to cover (and I will). Subscribe for future episodes.
Reach out to us @BenamorDan (Twitter), watch_this_tonight (Instagram) or @watchthistonightpodcast (TikTok).
Watch This Tonight is a movie recommendation podcast and TV recommendation podcast, produced by Voyage Media. You can find other Voyage Media podcasts at voyagemedia.fm
Thanks for listening.
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5626962/advertisement
WEBVTT
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Voyage. Welcome to watch this tonight. I'm your host, Dan Bettimore.
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00:00:22.320 --> 00:00:25.719
I'm a producer, writer of film
and television and now a podcast producer.
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00:00:26.000 --> 00:00:29.519
And despite having every streaming service,
I never know what to watch. So
4
00:00:29.519 --> 00:00:33.039
anytime I watch something good, I
talk about it on the show. This
5
00:00:33.079 --> 00:00:36.200
way, you'll never have the same
problem I do. I watch this tonight,
6
00:00:36.399 --> 00:00:39.880
there's always something good to watch.
Let's get started today. On the
7
00:00:39.920 --> 00:00:45.520
show, I am revisiting Interstellar.
As Oppenheimer approaches. There's a moment early
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00:00:45.560 --> 00:00:50.920
an Interstellar where Matthew McConaughey sees an
Indian drone in the sky and he's excited
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00:00:50.920 --> 00:00:53.920
about it and he wants to pursue
it, but his truck has a flat
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00:00:53.960 --> 00:00:57.920
tire, and Timothy Shalom plays his
son, tells him, hey man,
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00:00:58.039 --> 00:01:00.479
there's a flat tire. You can't
and they but he doesn't care. He
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drives the truck anyway after it and
they almost drive off a cliff. And
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I was thinking about that, and
I thought, this moment, this sequence
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is like a microcosm of the incredible
strength of Christopher Nolan's a filmmaker and the
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arguable weaknesses. And I always felt
like this was his most flawed film.
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I always felt like his ambition is
so great, and I love his ambition,
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and the movie is beautifully made,
it constructed, and then you watch
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it and you kind of second guess
yourself and you're like, wait a second,
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like you think that I have I
is this a plot hole? And
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then you're like, well, it's
it's so smartly put together. Maybe there's
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just something I'm not understanding. And
in a lot of his movies, I
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felt that way, where I'm like, this kind of seems like a plot
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hole, and then I think,
no, there must just be something I'm
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not understanding. And my memory of
Interstellar is that I saw it in the
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theater and I felt that really strongly. At the time, I had been
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studying stuff about black holes. I
was writing something about black holes, so
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I knew, you know, a
decent amount of stuff about it, and
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I felt like this movie just ignored
just the basic idea of how those things
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work. And I really had a
very honestly, like a pretty negative reaction
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to it, and I kind of
you walked out of the theater. I
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never watched again. Obviously, I
am in the minority. The movie made
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three quarters of a billion dollars was
critically well received, although if you go
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00:02:14.439 --> 00:02:16.800
to Rod Tomatoes and then you just
go to just the top critics, it's
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a bit more mixed. Most of
the criticism is about the last act.
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But I'm very excited for Oppenheimer.
I'm reading a book about three guys that
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are involved in making a decision to
use the atomic bomb, and so I
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was like, you know, I
feel like I should go back and give
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Interstellar another look. Maybe the passage
of time. You know, we do
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the all star episodes on the show. Maybe I just kind of judged it
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unfairly, and so I did,
and it was interesting. There were some
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things that I actually did not understand, but there were also some things that
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I think are still kind of plot
holes. So let's get into it.
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This is revisiting Interstellar. So this
movie has a single sequence that I think
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is better than many entire films,
which is the sequence on the planet.
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And obviously we're going to be in
spoilers here. I'm assuming if you're listening,
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if you're listening to this, you've
seen an Interstellar. The sequence on
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the planet with the mountain sized wave
and the robot turns into like an asterisk
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and rolls to get in Hathaway and
they get up in the wave and then
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they got to escape. And it's
just a great idea. If you're looking
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for a home planet, you're going
to be looking for a planet that has
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water. Great, we found a
planet with water, except the whole planet
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is these giant killer waves. That's
a great idea of you know, it's
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a great example of taking your characters
out of the frying pan and their friar.
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I think it is up there with
any sequence, any single sequence in
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any Nolan movie. That's great.
And then the planet that Matt Damon is
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on is also incredible. There's a
moment when they're flying and they hit a
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frozen clouds, so cleverly done,
because it looks like they're just flying they're
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seen a cloud and then they hit
it and it's solid and it breaks your
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brain for a second. It is
a great idea, and the Damon twist
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is incredible, So so much good
stuff, right, But then I think
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one reasons that I had issues with
it is that it's so deadly serious at
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times in ways that also kind of
feel silly. But it's hard to even
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it's sort of intangible, right,
So, for example, At one point,
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we're in the future. You know, obviously the story takes place in
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the future. The only sustainable crop
is corn. And there's a dinner scene
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that is extremely serious and the wife
of Casey Affleck she tells their kid,
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finish your fritter. But she says
it like a deadly serious, like heavy
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drama away, like finish it fritter. And it's one of those intangibles that
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intellectually it makes sense, It logically
makes sense, but it just feels silly
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else to explain it. Sort of
the same thing. Jessica Chastain asks Michael
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Caine an extremely important question. He's
just admitted that he lied to her and
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betrayed her in this horrible way,
and she's she asks him this very important
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question that's like found to who she
is as a person, and he just
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quotes a poem and dies. Now, to be fair to the film,
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probably might the scene that bothered me
the most of the whole movie is when
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Anne Hathaway has the thing where she
basically talks about and I had remembered it
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as like love is the only dimension
that transcends whatever, and I remember seeing
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the theater, like, what are
you talking about now? I when on
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the rewatch I was able to listen
more carefully. What she actually says is
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love is the only thing we're capable
of perceiving that transcends dimensions of time and
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space. So what threw me off
there was the word dimension. In the
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theater. It's a two hour and
forty nine minute movie. It's so easy
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to miss, like exactly what she's
saying. I took it as she's saying
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that, like, love is a
dimension, which I'm like, love is
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an abstract idea, what are you
talking about? But she's saying that love
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is something that still applies across physical
space in the passage of time, which
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is of course true. If she
literally just took the word dimension, that
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totally would have worked for me.
But I misunderstood on the first watch because
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just trying to catch it and now
scrutinizing it more carefully, obviously it makes
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sense. It's clearly illustrated in the
relationship with Chastain and McConaughey, which does
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transcend space and time, even before
they get into this stuff in the third
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act. And I relate obviously much
more into the central relationship now that I
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have a daughter and you know,
there's a moment where I think it's the
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first planet they go to, and
then they go back up and like twenty
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years have passed and they have twenty
years of video messages and McConaughey is watching
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those twenty years of video messages,
and that all hit me much harder now,
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right, You're much more aware of
time is so much more precious in
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your mind when you have children and
you see them growing and you know to
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miss that time. I actually understand
what that means now. So I would
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say my biggest criticism of the film
now is like null and void, I
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was wrong. My second biggest criticism
of the film is that they just casually
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invent this concept of a gentle singularity. So this is something that I again,
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when I saw the movie, I
was like, this seems made up,
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and then I googled it when I
watched this yesterday, and it is
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made up. It's not a real
thing. They just made it up.
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So if you research black holes,
the idea of the black hole is that
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the nature of it if you if
you as in a spaceship or in this
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movie, Matthew McConaughey ejects into space, or to even get close to a
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black hole. You would for sure
die, no matter what, you would
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die. It's that's it. It's
not more complicated than that. And you
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know, they it's a problem because
as storytellers, it's so tantalizing, like,
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oh man, what happens when you
go in a black hole? The
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answer is you die, that's the
answer. And so they just made this
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thing up to deal with that problem, the idea of the gentle singularity.
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And I think the reason bothered me
so much, and this is this is
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how marketing affects your perception movie.
They had made such a big deal about,
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oh my god, it is so
scientifically accurate in the marketing leading up
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to the release of the film.
So I think that's why maybe it rubbed
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me the wrong way. It's a
perfectly reasonable like you have to make some
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stuff up in service of the story. And it's also you know, you
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can make the argument of like,
hey, who really knows none of us
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have been in a black hole,
so you know, I was much more
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lenient on it this watch. The
other thing is that the movie is pretty
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long, so I feel like in
the theater, if a couple things rub
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you the wrong way, you can
kind of check out on it at home.
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I was able to take a break, go in for the last forty
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five minutes with a clear head,
and I really did enjoy it much more
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on this viewing. That being said, the part that I have a tough
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time with at the end, at
the very very end. So Matthew McConaughey,
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the whole movie is about him and
his daughter being separated and then making
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their way back to each other.
And she's on her deathbed and it's like,
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hey, I haven't seen you my
entire life, and she's like,
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you know, you shouldn't watch your
child die. Like, I'm good,
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you can piece out go find Anne
halfaway and he's like, all right,
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sweet, let me go find it
and halfway and it felt a little bit
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like kind of a betrayal of the
themes of the entire movie. So again
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I just kind of rubbed me and
bit the wrong way. But overall,
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00:09:13.799 --> 00:09:16.879
I would say my initial reaction on
this very much was like the arrogance of
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00:09:16.919 --> 00:09:20.799
youth, right Like, sitting there
thinking like as a twenty six year old
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or whatever, I was being like, oh, yeah, this movie sucks.
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The movie rocks. It's a really
good movie. You know. My
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00:09:28.759 --> 00:09:33.519
issues with it. Notwithstanding, I
think my issues with it in the grand
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picture of what the movie accomplishes are
relatively minor. And this movie is really
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good, breaking news. Interstellar is
good. Oh it really, it really
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00:09:43.519 --> 00:09:46.000
is. I was I was way
too hard on it. But in the
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00:09:46.039 --> 00:09:50.480
tradition of these all star episodes on
the show, definitely the passage of time
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00:09:50.519 --> 00:09:54.480
affects your viewing. I am so
curious to know if there's any of you
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out there listening to this who had
an equally mixed reaction Interstellar, either when
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you first saw it maybe you still
do or is it just gangbusters for you
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00:10:03.399 --> 00:10:07.200
all the way through and you just
absolutely loved it the first time, still
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00:10:07.200 --> 00:10:09.840
love it? Has it played different
for you as the years have passed.
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Yeah, I just would love to
know your thoughts on Interstellar. You can
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00:10:13.399 --> 00:10:18.200
always reach me at Benamore Dan on
Twitter, watch This Tonight on Instagram,
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00:10:18.279 --> 00:10:22.039
watch This Night podcast on TikTok,
or you can join our Facebook group.
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00:10:22.399 --> 00:10:24.480
That is the show for today Until
next time. Bye,
1
00:00:01.320 --> 00:00:22.160
Voyage. Welcome to watch this tonight. I'm your host, Dan Bettimore.
2
00:00:22.320 --> 00:00:25.719
I'm a producer, writer of film
and television and now a podcast producer.
3
00:00:26.000 --> 00:00:29.519
And despite having every streaming service,
I never know what to watch. So
4
00:00:29.519 --> 00:00:33.039
anytime I watch something good, I
talk about it on the show. This
5
00:00:33.079 --> 00:00:36.200
way, you'll never have the same
problem I do. I watch this tonight,
6
00:00:36.399 --> 00:00:39.880
there's always something good to watch.
Let's get started today. On the
7
00:00:39.920 --> 00:00:45.520
show, I am revisiting Interstellar.
As Oppenheimer approaches. There's a moment early
8
00:00:45.560 --> 00:00:50.920
an Interstellar where Matthew McConaughey sees an
Indian drone in the sky and he's excited
9
00:00:50.920 --> 00:00:53.920
about it and he wants to pursue
it, but his truck has a flat
10
00:00:53.960 --> 00:00:57.920
tire, and Timothy Shalom plays his
son, tells him, hey man,
11
00:00:58.039 --> 00:01:00.479
there's a flat tire. You can't
and they but he doesn't care. He
12
00:01:00.560 --> 00:01:04.159
drives the truck anyway after it and
they almost drive off a cliff. And
13
00:01:04.200 --> 00:01:07.599
I was thinking about that, and
I thought, this moment, this sequence
14
00:01:08.280 --> 00:01:12.719
is like a microcosm of the incredible
strength of Christopher Nolan's a filmmaker and the
15
00:01:12.840 --> 00:01:18.760
arguable weaknesses. And I always felt
like this was his most flawed film.
16
00:01:19.120 --> 00:01:22.000
I always felt like his ambition is
so great, and I love his ambition,
17
00:01:22.079 --> 00:01:25.400
and the movie is beautifully made,
it constructed, and then you watch
18
00:01:25.400 --> 00:01:26.719
it and you kind of second guess
yourself and you're like, wait a second,
19
00:01:27.239 --> 00:01:30.319
like you think that I have I
is this a plot hole? And
20
00:01:30.359 --> 00:01:34.439
then you're like, well, it's
it's so smartly put together. Maybe there's
21
00:01:34.439 --> 00:01:37.280
just something I'm not understanding. And
in a lot of his movies, I
22
00:01:37.400 --> 00:01:40.079
felt that way, where I'm like, this kind of seems like a plot
23
00:01:40.079 --> 00:01:42.680
hole, and then I think,
no, there must just be something I'm
24
00:01:42.719 --> 00:01:45.799
not understanding. And my memory of
Interstellar is that I saw it in the
25
00:01:45.799 --> 00:01:49.319
theater and I felt that really strongly. At the time, I had been
26
00:01:49.319 --> 00:01:52.239
studying stuff about black holes. I
was writing something about black holes, so
27
00:01:52.280 --> 00:01:55.159
I knew, you know, a
decent amount of stuff about it, and
28
00:01:55.200 --> 00:01:59.200
I felt like this movie just ignored
just the basic idea of how those things
29
00:01:59.239 --> 00:02:02.480
work. And I really had a
very honestly, like a pretty negative reaction
30
00:02:02.519 --> 00:02:06.000
to it, and I kind of
you walked out of the theater. I
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00:02:06.079 --> 00:02:09.479
never watched again. Obviously, I
am in the minority. The movie made
32
00:02:09.560 --> 00:02:14.360
three quarters of a billion dollars was
critically well received, although if you go
33
00:02:14.439 --> 00:02:16.800
to Rod Tomatoes and then you just
go to just the top critics, it's
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a bit more mixed. Most of
the criticism is about the last act.
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But I'm very excited for Oppenheimer.
I'm reading a book about three guys that
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are involved in making a decision to
use the atomic bomb, and so I
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was like, you know, I
feel like I should go back and give
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Interstellar another look. Maybe the passage
of time. You know, we do
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the all star episodes on the show. Maybe I just kind of judged it
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unfairly, and so I did,
and it was interesting. There were some
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things that I actually did not understand, but there were also some things that
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I think are still kind of plot
holes. So let's get into it.
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This is revisiting Interstellar. So this
movie has a single sequence that I think
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is better than many entire films,
which is the sequence on the planet.
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And obviously we're going to be in
spoilers here. I'm assuming if you're listening,
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if you're listening to this, you've
seen an Interstellar. The sequence on
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the planet with the mountain sized wave
and the robot turns into like an asterisk
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and rolls to get in Hathaway and
they get up in the wave and then
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they got to escape. And it's
just a great idea. If you're looking
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for a home planet, you're going
to be looking for a planet that has
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water. Great, we found a
planet with water, except the whole planet
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is these giant killer waves. That's
a great idea of you know, it's
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a great example of taking your characters
out of the frying pan and their friar.
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I think it is up there with
any sequence, any single sequence in
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any Nolan movie. That's great.
And then the planet that Matt Damon is
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on is also incredible. There's a
moment when they're flying and they hit a
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frozen clouds, so cleverly done,
because it looks like they're just flying they're
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seen a cloud and then they hit
it and it's solid and it breaks your
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brain for a second. It is
a great idea, and the Damon twist
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is incredible, So so much good
stuff, right, But then I think
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one reasons that I had issues with
it is that it's so deadly serious at
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times in ways that also kind of
feel silly. But it's hard to even
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it's sort of intangible, right,
So, for example, At one point,
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we're in the future. You know, obviously the story takes place in
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the future. The only sustainable crop
is corn. And there's a dinner scene
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that is extremely serious and the wife
of Casey Affleck she tells their kid,
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finish your fritter. But she says
it like a deadly serious, like heavy
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drama away, like finish it fritter. And it's one of those intangibles that
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intellectually it makes sense, It logically
makes sense, but it just feels silly
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else to explain it. Sort of
the same thing. Jessica Chastain asks Michael
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Caine an extremely important question. He's
just admitted that he lied to her and
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betrayed her in this horrible way,
and she's she asks him this very important
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question that's like found to who she
is as a person, and he just
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quotes a poem and dies. Now, to be fair to the film,
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probably might the scene that bothered me
the most of the whole movie is when
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Anne Hathaway has the thing where she
basically talks about and I had remembered it
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as like love is the only dimension
that transcends whatever, and I remember seeing
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the theater, like, what are
you talking about now? I when on
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the rewatch I was able to listen
more carefully. What she actually says is
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love is the only thing we're capable
of perceiving that transcends dimensions of time and
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space. So what threw me off
there was the word dimension. In the
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theater. It's a two hour and
forty nine minute movie. It's so easy
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to miss, like exactly what she's
saying. I took it as she's saying
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that, like, love is a
dimension, which I'm like, love is
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an abstract idea, what are you
talking about? But she's saying that love
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is something that still applies across physical
space in the passage of time, which
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is of course true. If she
literally just took the word dimension, that
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totally would have worked for me.
But I misunderstood on the first watch because
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just trying to catch it and now
scrutinizing it more carefully, obviously it makes
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sense. It's clearly illustrated in the
relationship with Chastain and McConaughey, which does
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transcend space and time, even before
they get into this stuff in the third
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act. And I relate obviously much
more into the central relationship now that I
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have a daughter and you know,
there's a moment where I think it's the
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first planet they go to, and
then they go back up and like twenty
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years have passed and they have twenty
years of video messages and McConaughey is watching
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those twenty years of video messages,
and that all hit me much harder now,
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right, You're much more aware of
time is so much more precious in
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your mind when you have children and
you see them growing and you know to
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miss that time. I actually understand
what that means now. So I would
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say my biggest criticism of the film
now is like null and void, I
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was wrong. My second biggest criticism
of the film is that they just casually
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invent this concept of a gentle singularity. So this is something that I again,
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when I saw the movie, I
was like, this seems made up,
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and then I googled it when I
watched this yesterday, and it is
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made up. It's not a real
thing. They just made it up.
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So if you research black holes,
the idea of the black hole is that
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the nature of it if you if
you as in a spaceship or in this
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movie, Matthew McConaughey ejects into space, or to even get close to a
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black hole. You would for sure
die, no matter what, you would
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die. It's that's it. It's
not more complicated than that. And you
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know, they it's a problem because
as storytellers, it's so tantalizing, like,
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oh man, what happens when you
go in a black hole? The
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answer is you die, that's the
answer. And so they just made this
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thing up to deal with that problem, the idea of the gentle singularity.
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And I think the reason bothered me
so much, and this is this is
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how marketing affects your perception movie.
They had made such a big deal about,
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oh my god, it is so
scientifically accurate in the marketing leading up
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to the release of the film.
So I think that's why maybe it rubbed
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me the wrong way. It's a
perfectly reasonable like you have to make some
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stuff up in service of the story. And it's also you know, you
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can make the argument of like,
hey, who really knows none of us
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have been in a black hole,
so you know, I was much more
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lenient on it this watch. The
other thing is that the movie is pretty
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long, so I feel like in
the theater, if a couple things rub
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you the wrong way, you can
kind of check out on it at home.
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I was able to take a break, go in for the last forty
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five minutes with a clear head,
and I really did enjoy it much more
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on this viewing. That being said, the part that I have a tough
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time with at the end, at
the very very end. So Matthew McConaughey,
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the whole movie is about him and
his daughter being separated and then making
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their way back to each other.
And she's on her deathbed and it's like,
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hey, I haven't seen you my
entire life, and she's like,
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you know, you shouldn't watch your
child die. Like, I'm good,
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you can piece out go find Anne
halfaway and he's like, all right,
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00:09:03.519 --> 00:09:05.600
sweet, let me go find it
and halfway and it felt a little bit
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like kind of a betrayal of the
themes of the entire movie. So again
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I just kind of rubbed me and
bit the wrong way. But overall,
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I would say my initial reaction on
this very much was like the arrogance of
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youth, right Like, sitting there
thinking like as a twenty six year old
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or whatever, I was being like, oh, yeah, this movie sucks.
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The movie rocks. It's a really
good movie. You know. My
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issues with it. Notwithstanding, I
think my issues with it in the grand
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picture of what the movie accomplishes are
relatively minor. And this movie is really
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good, breaking news. Interstellar is
good. Oh it really, it really
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is. I was I was way
too hard on it. But in the
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00:09:46.039 --> 00:09:50.480
tradition of these all star episodes on
the show, definitely the passage of time
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affects your viewing. I am so
curious to know if there's any of you
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out there listening to this who had
an equally mixed reaction Interstellar, either when
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you first saw it maybe you still
do or is it just gangbusters for you
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00:10:03.399 --> 00:10:07.200
all the way through and you just
absolutely loved it the first time, still
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love it? Has it played different
for you as the years have passed.
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Yeah, I just would love to
know your thoughts on Interstellar. You can
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always reach me at Benamore Dan on
Twitter, watch This Tonight on Instagram,
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00:10:18.279 --> 00:10:22.039
watch This Night podcast on TikTok,
or you can join our Facebook group.
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00:10:22.399 --> 00:10:24.480
That is the show for today Until
next time. Bye,









