June 5, 2023

Puzzling Over Barry Series Finale One Week Later (HBO)

Puzzling Over Barry Series Finale One Week Later (HBO)

Still trying to wrap your head around how Barry ended? Me too. In this series finale episode, I look back at how Barry started, back in Season 1, Episode 1, and compare it to where it went by the end, which was surreal, bold, experimental, emotionally...

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Still trying to wrap your head around how Barry ended? Me too. In this series finale episode, I look back at how Barry started, back in Season 1, Episode 1, and compare it to where it went by the end, which was surreal, bold, experimental, emotionally true, thematically true, but maybe in some difficult-to-define way less satisfying? I'm of two minds about it, but glad it was risk-taking enough to inspire a lot of debate. Regardless, it's one of the best TV series of the last 10 years, in my book.

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WEBVTT

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Voyage. Welcome to watch this tonight. I'm your host, Dan Bettimore.

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I'm a producer, writer of film
and television and now a podcast producer.

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And despite having every streaming service,
I never know what to watch. So

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anytime I watch something good, I
talk about it on the show. This

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way, you'll never have the same
problem I do. I watched this tonight.

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There's always something good to watch.
Let's get started. Today on the

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show, we are talking about the
series finale of Barry and kind of just

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Berry in general. This is something
that some of the listeners reached out to

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me about and I'm kind of glad
I waited a week to do it because

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the last episode of Barry was so
weird that I feel like I needed time

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to process it. Barry in general
has gotten increasingly weird and surreal, and

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I think that that's going to create
a more polarizing reaction from the audience because

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it's strange and it's not what we're
usually looking for at a TV I think

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for most people, and towards the
end particularly, it got super weird,

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and really, ever since the time
when they did this big jump forward and

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it's years later and Barry and Sally
have a child and they're sort of hiding

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out in the middle of nowhere,
and it almost is like a different show.

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And because of the extremity of what
happens, not only that point,

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but then in the last couple episodes
after that, they have to kind of

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collapse time and that forces some narrative
shortcuts. And so I want to say

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before I get into all this,
I like the last episode of Barry.

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I think it's cool. I applaud
the boldness of it, and I think

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that I watched it again actually this
morning. It's like emotionally true, but

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it's I do think it has there's
some narrative stuff that is worth unpacking.

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So I do want to be clear
that I do like it, but I

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have issues. So let's just kind
of walk through this here. Robert Wisdom's

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character, Janice Moss's dad is depicted
as like the smartest guy in the world,

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but he leaves Barry in a position
in his garage where Barry is able

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to escape really easily, which doesn't
you know, there's no magic secret of

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that. It's it is a narrative
shorthand, right, It's just a way

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of getting from point A to point
B. I don't know that it's really

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plausible or consistent with the character that
was established, so you know, take

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that forward a will And then also, and I think this is actually probably

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even the better example. In the
last couple episodes, Fuchs is determined to

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get Nojo Hank to admit that he
betrayed and killed Christo Ball, And it

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makes sense on an emotional level and
a thematic level, But why would his

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character care that much about that?
You know, I just didn't understand on

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just like a practical level. So
that's why, you know, the way

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that it plays after that big time
jump, it almost is like a really

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awesome piece of Berry fan fiction.
I think that's how it feels. It

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feels like if someone wrote a piece
of Berry fan fiction that was fantastic and

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it went viral and we all loved
it. We thought it was great,

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but it was still sort of like
a weird, what if kind of different

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thing, like its own experimental thing. If you take it on its own

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terms, I think it definitely works. But just reading the tea leaves online,

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I mean, I think I was
the only one who had sort of

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a mixed reaction. Now, one
part that I did see mixed reactions about

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which I totally loved, straight up, just absolutely adored. Is at the

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end when they do the fake movie
that was made out of inspired by what

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happened in the show, they have
Kuzano played by a British actor, which

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that was great. I just I
thought that whole thing was hilarious and I

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loved even the fake silly action in
the fake movie was still choreographed and photographed

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better than most actual movies. Barry
was always very underrated, and how well

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it choreographed action. If Bill Hayter
wanted to, he could make a great

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action movie. But also the end, the same issue is there, which

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is that you know you're watching Barry's
son wants this movie that is loosely based

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on his father's life, but we
don't really have an emotional connection with the

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son because we don't know we don't
know him, Like if his name was

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Barry's son, it would be the
same impact. Even though you know,

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they did a great job, like
I think given how late he was introduced,

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they did as good of a job
as they possibly could. But it

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speaks to the fact that this was
I mean, it's just a big high

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wire act at the end, and
there's just not enough time, right,

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There just wasn't enough time to really
establish all this in a way that has

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its foot on the ground in reality
in a really strong way. Again that

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said, I thought it was hilarious. The final note that Barry was buried

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with full military honors at Arlington,
I thought was hysterical. So the show

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is true to itself thematically emotionally.
It's a show about creating identity, and

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that's what the end is about creating
this idealized identity, even if it has

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no burying on reality, and people
wanting to do that about for their own

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identity. So all that is there. But I think it's fair to say

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I kind of can't help but think
back to where we started, and so

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it actually to prepare for this,
I went back and watched the beginning of

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the first episode, and it's all
about normality, about the mundane qualities of

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life. We see Barry kill a
guy and then sit in the middle seat

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on an uncomfortable plane ride, go
back to a messy apartment, play video

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games alone. Stephen Root is giving
him a hard time about extra day in

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the hotel room because it adds to
their expenses. His rental car sucks.

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He goes for another job, and
Noah Hank says, we need you to

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kill a guy who's sleeping with Gran's
wife at a holiday inn in Studio City.

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So again it's all just super grounded
in reality and the humor. The

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idea is about identity, the characterization. It's all drawing from how real can

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we make this supposed to where it
goes later, which is surreal. So

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I think even though the surreal stuff
is brilliantly done on a certain level,

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it's just not going to have I
think it doesn't kind of stick to your

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bones in the way that the stuff
that is very based on reality does.

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So I think that was my thing
is that Again I liked it a lot,

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but I do think it plays like
an experiment and a worry the experiment

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and an experiment that I thought was
cool, but I don't think that it

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like I don't know. I almost
wish that we could have also the alternate

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version that stayed in reality, even
if it meant it would take longer and

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you know, another two seasons of
walking that through to the ending that they

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ultimately got to. I would have
been interested to see that. It's interesting.

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I've listen to a bunch of interviews
with Bill Hater about this, and

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he talks about his writing and how
he will sometimes make a choice to skip

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a bunch of stuff because he's like, I just thought that would be boring,

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Like if I showed you so for
example, Barry escaping from and how

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does he end up? Where ends
up with Sally and all that, and

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and Bill said something, the fact
of you know, showing the escape from

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prison and logistics is that he felt
like would be sort of boring. And

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I really like that as a writing
strategy. I think it's that's actually a

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brilliant way to approach it and would
prevent a lot of you know, kind

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of weaker writing. That being said, it's almost like for me, a

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little bit too much of that towards
the end, I kind of needed more

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connected tissue, you know, somewhere
in the middle, That's what I'm saying.

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I like that it has the boldness
to skip around, but I just

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felt like I kind of needed just
a little more, like, you know,

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a middle ground. And the last
thing I want to say that I

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absolutely loved and it just shows you
that Barry sticks to sort of the courage

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of its convictions, and it's so
honest about its characters. At the end,

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we see Sally in the future and
it's like this bucolic idyllic the snow

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is falling, and she's a teacher
and she teaches theater and she finished,

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she leaves a performance, and her
son is like, all right, mom,

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like love you and instead of saying
I love you back, she says

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basically like was the show good,
and then never says I love you back.

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So she's still just like narcissistic.
She's still like not a great mom.

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It's not like she became like the
best mom in the world. So

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I just thought that was a really
interesting, kind of brutal choice that,

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you know, they could have very
easily just let her say I love you

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back to her son. They wouldn't. But again, I think that the

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show had a real courage of its
convictions throughout. And I'm very I mean,

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look, I'm very interested to see
whatever Bill does his career. I

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wur watch anything he does. It
does feel like, in a weird way,

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this end was like a little too
abrupt, but at the same time,

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maybe it's it was kind of time
for it to end. It almost

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feels like Bill, he is so
talented and he got to do like many

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movies, like he got to do
like his version of like a scene from

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Heat with the car chase in the
highway, which is amazing. He got

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to do his version of of like
a really good Blumhouse movie, that that

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bit where the guy is clad all
in, you know, like it's like

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a full costume movie covering his face
and he's following Sally around. He got

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to sort of use the show as
a vehicle to explore all these different genres

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so effectively. And yeah, I
don't know. I think it's almost like

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it you can't cage the bird for
too long, right, Like he kind

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of just needed to. I think
he needed it to end as well as

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the show you know, came to
at a certain point they had to end

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it. But all that being said, if you told me, you know,

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there was some magical way that I
could see two more seasons that played

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it out again with that more sort
of grounded in reality approach, I would

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have loved to see that. So
regardless, awesome show, as you can

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hear, I'm sort of stumbling over. It's like I feel to two different

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way at the same time about how
it ended. So I would really love

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to know what you think, especially
now having had a week to sort of

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digest it. Did it work for
you, did it not work for you?

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Did you want more? Did you
want less? You know, how

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did you feel about the end of
Barry? I would love to know.

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You can always reach me at dan
ad voyagemedia dot com. Watch this Tonight

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00:10:18.039 --> 00:10:22.039
on Instagram, better moore down on
Twitter, and watch this Tonight podcast on

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TikTok. That is a show for
today Until next time, Bye bye.